PROJECTS
MOJO GALA
HEADLANDS
CENTER FOR EQUITABLE GROWTH
JENSEN ARCHITECTS
826 VALENCIA EVENT MATERIALS
LOGOS
BODY OF INQUIRY
MOTHER JONES COLLATERAL
TO BRITISH COLUMBIA AND BACK
WHY GO
CREDO ACTION VIDEO
CREDO COLLATERAL
LETTERPRESS CARDS AND BROADSIDES
NEW NORMAL
LOLITA
SPECIMEN BOOK
OONA'S CCA WORK
SET IN MOTION PRESS
BACK & FORTH
OONA'S SPUTNIK WORK
LEVEL 3 REVIEW SIGNAGE
CASEY'S CCA PORTFOLIO WEBSITE
STILL WILD BOOKS
GOING NUMB
THE JOURNEY
HEADLANDS
CENTER FOR EQUITABLE GROWTH
JENSEN ARCHITECTS
826 VALENCIA EVENT MATERIALS
LOGOS
BODY OF INQUIRY
MOTHER JONES COLLATERAL
TO BRITISH COLUMBIA AND BACK
WHY GO
CREDO ACTION VIDEO
CREDO COLLATERAL
LETTERPRESS CARDS AND BROADSIDES
NEW NORMAL
LOLITA
SPECIMEN BOOK
OONA'S CCA WORK
SET IN MOTION PRESS
BACK & FORTH
OONA'S SPUTNIK WORK
LEVEL 3 REVIEW SIGNAGE
CASEY'S CCA PORTFOLIO WEBSITE
STILL WILD BOOKS
GOING NUMB
THE JOURNEY

Maker: Oona
Size: 30 x 48 inches
Size: 30 x 48 inches
VOICE OVER FILM FESTIVAL
There were many film festival projects at CCA. Here, Oona made up her own: The Voice Over Film Festival. She chose a few films with great voice-overs, and then threaded the first few lines through the type.
There were many film festival projects at CCA. Here, Oona made up her own: The Voice Over Film Festival. She chose a few films with great voice-overs, and then threaded the first few lines through the type.

Maker: Oona
Size: 24 x 36 inches
Size: 24 x 36 inches
SALLY POTTER FILM FESTIVAL
For the Sally Potter Film Festival, Oona created a system to press type into velvet.
For the Sally Potter Film Festival, Oona created a system to press type into velvet.

Maker: Oona
SALLY POTTER FILM FESTIVAL
Detail.
Detail.

Maker: Oona
SALLY POTTER FILM FESTIVAL
Detail of velvet type process.
Detail of velvet type process.

Maker: Oona
SALLY POTTER FILM FESTIVAL
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.

Maker: Oona
SALLY POTTER FILM FESTIVAL
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.

Maker: Oona
SALLY POTTER FILM FESTIVAL
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.

Maker: Oona
SALLY POTTER FILM FESTIVAL
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.
DVD packaging for "Orlando," a film by Sally Potter. The packaging opens as an accordion to show a line from the Virginia Woolf book, "Orlando" which the film is based on. There are strong dichotomies in the story: transformation / remaining the same, as well as
male / female. Note shift of color and typography.

Maker: Oona
Size: 5 x 5 inches
Binding: perfect bound
Size: 5 x 5 inches
Binding: perfect bound
SALT WATER
Salt water is a book about Oona's Aunt Elaine, Cape Cod, Oona's mother, multiple sclerosis (a disease which is still a mystery) and Dark Energy, a mysterious force which rapidly pulls the universe apart.
Salt water is a book about Oona's Aunt Elaine, Cape Cod, Oona's mother, multiple sclerosis (a disease which is still a mystery) and Dark Energy, a mysterious force which rapidly pulls the universe apart.

Maker: Oona
Size: 5 x 5 inches
Binding: perfect bound
Size: 5 x 5 inches
Binding: perfect bound
SALT WATER
Salt water is a book about Oona's Aunt Elaine, Cape Cod, Oona's mother, multiple sclerosis (a disease which is still a mystery) and Dark Energy, a mysterious force which rapidly pulls the universe apart.
Salt water is a book about Oona's Aunt Elaine, Cape Cod, Oona's mother, multiple sclerosis (a disease which is still a mystery) and Dark Energy, a mysterious force which rapidly pulls the universe apart.

Maker: Oona
Size: 5 x 5 inches
Binding: perfect bound
Size: 5 x 5 inches
Binding: perfect bound
SALT WATER
Salt water is a book about Oona's Aunt Elaine, Cape Cod, Oona's mother, multiple sclerosis (a disease which is still a mystery) and Dark Energy, a mysterious force which rapidly pulls the universe apart.
Salt water is a book about Oona's Aunt Elaine, Cape Cod, Oona's mother, multiple sclerosis (a disease which is still a mystery) and Dark Energy, a mysterious force which rapidly pulls the universe apart.

Maker: Oona
Size: 7 x 13 inches
Binding: accordion
Printing: ink jet with letterpress
Size: 7 x 13 inches
Binding: accordion
Printing: ink jet with letterpress
LETTERPRESS BOOK
The pacing of this book is based on a song: intro, verse, chorus, verse, break, chorus, verse, out. The process Oona used on the letterpress involved lots of tape to achieve the desired texture.
The pacing of this book is based on a song: intro, verse, chorus, verse, break, chorus, verse, out. The process Oona used on the letterpress involved lots of tape to achieve the desired texture.

Maker: Oona
Size: 7 x 13 inches
Binding: accordion
Printing: ink jet with letterpress
Size: 7 x 13 inches
Binding: accordion
Printing: ink jet with letterpress
LETTERPRESS BOOK
The pacing of this book is based on a song: intro, verse, chorus, verse, break, chorus, verse, out. The process Oona used on the letterpress involved lots of tape to achieve the desired texture.
The pacing of this book is based on a song: intro, verse, chorus, verse, break, chorus, verse, out. The process Oona used on the letterpress involved lots of tape to achieve the desired texture.

Maker: Oona
Size: 7 x 13 inches
Binding: accordion
Printing: ink jet with letterpress
Size: 7 x 13 inches
Binding: accordion
Printing: ink jet with letterpress
LETTERPRESS BOOK
The pacing of this book is based on a song: intro, verse, chorus, verse, break, chorus, verse, out. The process Oona used on the letterpress involved lots of tape to achieve the desired texture.
The pacing of this book is based on a song: intro, verse, chorus, verse, break, chorus, verse, out. The process Oona used on the letterpress involved lots of tape to achieve the desired texture.

Maker: Oona
Size: 24 x 36 inches
Size: 24 x 36 inches
DILIGENCE POSTER
Diligence is a virtue. Also, for someone who cares about gemrs in an obsessive way, Oona found herself relating diligence to cleanliness. The scrubbed texture is created with layers of tiny type.
Diligence is a virtue. Also, for someone who cares about gemrs in an obsessive way, Oona found herself relating diligence to cleanliness. The scrubbed texture is created with layers of tiny type.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.

Maker: Oona
Size: 5 x 8 inches
Binding: perfect
Size: 5 x 8 inches
Binding: perfect
HOW TO BE A BETTER LOVER
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
This is a book about -believe it or not- client realtionships. Its content addresses the dialogue between client and designer, and how to improve it.
Maker: Oona
HAPPINESS PROJECT
Dubious mainstream advertising's hype, Oona set out to create a piece about her own happiness and not that fabricated by material goods. She decided to make her own version of a commercial. She created a perameter: whenever she felt happy, she turned on her video camera. It was a day-long project which had a curious result: possibly a form of the Observer Effect, the process of thinnking "Am I happy right now?" caused her to be well, extremely happy; even more than usual. She was boyed up by the process and deemed a it highly sucessful project.
Dubious mainstream advertising's hype, Oona set out to create a piece about her own happiness and not that fabricated by material goods. She decided to make her own version of a commercial. She created a perameter: whenever she felt happy, she turned on her video camera. It was a day-long project which had a curious result: possibly a form of the Observer Effect, the process of thinnking "Am I happy right now?" caused her to be well, extremely happy; even more than usual. She was boyed up by the process and deemed a it highly sucessful project.

Maker: Oona
OONA'S CCA SCHOOL PORTFOLIO
In her final semester at CCA, Oona designed a portfolio of her projects based on the theme of "Undesigned Territory."
In her final semester at CCA, Oona designed a portfolio of her projects based on the theme of "Undesigned Territory."


